The heist is regarded to have long gone entirely according to the plot. The thieves broke into the showcase in an Italian church on Wednesday morning and made off with a €3m painting by the 17th-century Flemish artist Pieter Brueghel the Younger. But police revealed that there was one hitch at nighttime – the snatched artwork changed into a duplicate. The bona fide model of The Crucifixion, donated to Santa Maria Maddalena church within the small Ligurian metropolis of Castelnuovo Magra more than a century in the past, became thoroughly saved away closing month as part of a carefully concocted bluff. Police were aware that the thieves had set their points of interest on the masterpiece, which became the goal of a successful theft in 1981 before being recovered a few months later. So, please set up a surveillance device to watch until the criminals select their moment to act. The town’s mayor, Daniele Montebello, became one of the few people privy to the deception and had to keep up the pretense in the hours after the heist, telling newshounds that losing the portray turned into “a difficult blow for the community.”
“Rumours had been circulating that a person should scouse borrow the paintings, and so the police decided to position it in a safe place, changing it with a replica and putting in a few cameras,” Montebello said on Wednesday night. “I thank the police, but additionally some of the churchgoers, who noticed that the portrayal on display wasn’t authentic but stored up the secret.” The portrait was donated to the church by a rich family and became hidden at some stage in the Second World War to prevent it from being stolen by German foot soldiers.
Pieter Brueghel the Younger is the son of Pieter Bruegel the Elder, who became considered one of the Flemish and Dutch Renaissance artists. Brueghel the Younger usually made a living from copying his father’s works. The Crucifixion is an oil painting on a right panel. At the same time, the number of artwork thefts in Italy fell from 906 in 2011 to 449 in 2016; S. A. Continues to be the largest marketplace for stolen artwork because of its abundance of works. Almost half of the artifacts stolen in 2016 have been kept in churches. Italian art police have drawn up pointers on higher guard church buildings that stay open all day to the general public,includingf installing alarm and surveillance structures and hiring volunteers to preserve watch.