The seventh edition of India Design ID, an exhibition that functions the pleasant of luxury designs from India and around the world, opened on 12 February at the NSIC Grounds, Okhla, in New Delhi. The 4-day-lengthy occasion, which concluded on 15 February, delivered together around one hundred thirty-five décor and domestic interior brands underneath one roof to show off new launches, one-of-a-kind showcases, signature collections, and stunning installations. The United States of america’s most definitive layout and home décor week, India Design ID 2019, featured renowned manufacturers and designers who showcased the best in domestic form and decor across categories like fixtures, accessories, kitchens, furnishing, lighting fixtures, and extra. Shades of mild
DBEL Studio, a luxury lighting emblem, released its modern-day strains, “Dhahab” and “Lemon,” at India Design ID 2019. Dillraj L. Bhatia, founder and lighting fixtures dressmaker, DBEL Studio, spoke to Guardian 20 about the logo’s new series. She said, “The Dhahab lighting fixtures collection displays the peerless design sense that completely blends classic effects with geometric shapes and has a current and stylish feel. The collection includes many desk lamps, floor lamps, chandeliers, and a light display, a lighting installation that may be used as a partition between areas.” Another installation through the studio Lumoon was themed across the extraordinary levels of the moon. “This collection,” Bhatia stated, “is a reminder of this astronomical frame’s strong influence on us.” The setup was solely designed for a quickly-to-be-launched eating place in Delhi. This is the second stint of the brand at India Design ID. When asked how distinctive this version feels from the previous one, Bhatia said, “This time around, there is an upsurge in brands providing smart and progressive décor answers.”
E-commerce brand Sihasn is taking Indian fabrics past the clothing class and using them as upholstery on furniture. Ganesh Shankar, co-founder and CEO of the logo, added the famous flower motif embroidery from Kashmir’s shawls to chairs and his “Kashmir Ki Kashida” collection at the exhibition. He said, “We exclusively released the ‘Kashmir Ki Kashida’ collection for India Design. This collection is a complicated art of Kashmiri Crewel embroidery, which is from an agency based totally in Srinagar referred to as ‘The Crewel.'” The logo curates fabric, which might be recognized for its lengthy status traditions, lifestyle, and tales from around the United States of America. ID 2019 is the first exhibition on this kind of big scale for the emblem. “ID is a possibility or a platform to exhibit our products for traffic to contact and experience. We also noticed large participation from the visitors, and the footfall is top-notch. The site visitors sincerely spoke approximately how distinctive our products are,” Shankar stated. Glass art.
Glass Sutra, a tumbler art studio, released their useful art series “Ashtori: The Woven Dreams” at the occasion. The series highlights the wealthy layout of the historical past of India’s Northeast. Reshmi Dey, the founding father of Glass Sutra, talked to us about the collection. She stated, “The collection showcases two levels of skilfully crafted motifs stimulated by weaving. The degrees encompass ‘Northeast in the Light’ and ‘Northeast by using the Thread,’ which are being showcased at the event. They depict the wealthy historical past of the place through motifs using colors and threads from the Northeast.” Dey also pointed out the cutting-edge tendencies that might dominate the home interiors section. She pressured that these 12 months are seeing a circulate far away from bling, and introduced, “Trends that are stealing the display these 12 months are minimalistic. I agree with the luxury need to be extra closer to the things that are out of attain for us.” Weaves attraction
Jaipur Rugs created and showcased cutting-edge designs to supplement their customers’ personal and expert styles at the occasion. The logo showcased five collections—particularly “Tattvam,” “Anthar,” “Project Error,” “Chaos Theory,” and “Unstring”—at their sales space. Speaking about their collection, Yogesh Chaudhary, Director of Jaipur Rugs, said, “We are excited and thrilled to showcase more than a few first-class in-design collections from Jaipur Rugs at ID Symposium 2019. We agree with empowering artisans and maintaining the age-antique craft of hand-knotting, making it the principal attention of the logo.” Wood topics
Beyond Designs launched its bespoke series of furniture and add-ons, “Mystic Secrets,” at ID 2019. Founder and main dressmaker of Beyond Designs, Sachin Gupta, spoke about the gathering. “As the call indicates, it’s miles stimulated via the essence of our history to create something hauntingly new for modern areas. How the vintage is woven into the new to give you a unique appearance is a secret we at Beyond Designs want to grasp. So you have got bespoke furnishings and accessories that see a top-notch combo of the past and the destiny,” he stated. In his revel in associating with India Design ID, Gupta said, “It is continually a thrilling, and the maximum gratifying enjoy to showcase our work here at the ID, that’s India’s primary layout discussion board. With more moderen players entering the area each year, its handiest receives better and more exhilarating than earlier.”